“Finding the GOAT Group,” the fourth installment of Ambrosia For Heads’s annual battle series features Hip-Hop’s greatest collectives vying for the #1 spot. Sixty-two groups have been pre-selected by a panel of experts, and one slot will be reserved for a wild-card entry, including the possibility for write-in candidates, to... Read more

Revered as one of music's most gifted Philly lyricists, Bahamadia is known for her subdued, under-the-radar persona. However, her presence in the culture has never waned. Largely considered one of the dopest women to have ever touched a mic, her 1996 album Kollage continues to ring bells two decades later.... Read more

On "7 Digit Dolls," Camp Lo's Geechi Suede celebrates the romantic interests in his world, adding some romantic flavor to his recently launched solo catalog. It's the first taste from his forthcoming mixtape, Fishnet Skyscrapers, which officially drops on April 4. Just a few months removed from the release of his... Read more

Today (January 28) marks the twentieth anniversary of Camp Lo's Uptown Saturday Night debut. The Profile Records LP was a carryover from the 1996 success of retro-flare single "Luchini (This Is It)." That track, produced by Ski Beatz (coming off his Jay Z Reasonable Doubt and Original Flavor waves) made... Read more

After a very busy 2016, Camp Lo recently released some pre-Uptown Saturday Night demo recordings, On The Way Uptown. It features this demo version of "This Is It (Luchini)." Presumably recorded in 1995-1996, this is the Ski Beatz-produced material that would catch Profile Records' attention, and make Sonny Cheeba and... Read more

Camp Lo’s Geechi Suede is one of the game’s more consistent lyricists. Without losing a breath, the seasoned Bronx, New York veteran delivers an incredible fast-flow verse, firing off bars like an automatic weapon with a “broken safety.” Using an intricate, multi-syllabic rhyme scheme and his signature highly-coded poetic wordplay,... Read more

Camp Lo’s Geechi Suede has consistently rocked innovative, intricate and sparingly abstract rhyme schemes since “Coolie High,” and solo build-out “Sound of View” is no exception. Spacey synths and uptempo break-beat-backed drums provide a fitting ambience for the Bronx lyricist to showcase his “retro-futuristic” style—managing to pull off avant-garde with... Read more